The rapid increase of large-scale environmental sculpture art in recent years has made people pay more and more attention to the basic role of bronze sculpture art in human society. There has never been a period in history like today, such large and large copper sculptures appear in urban space. The presence of bronze sculptures can be seen indoors and outdoors in buildings, corners or squares of streets, corridors or stairways, tree-lined roads and shopping centers, gardens, and open space on the top floor of buildings.
Questions about environmental art and its role in human society are likely to have been raised by prehistoric artists. They painted huge pictures in their caves, and the ancient Egyptians built the awesome "Sfenx", the pyramids, and the double-sided giant statues of Memnan are historical feats. However, there is no record in the history books about this issue. It is very important to understand the relationship between art and the environment. The large-scale environmental works created by the early artists have been here for thousands of years.
The human needs for rich and colorful decoration are different from the needs that art can have a profound influence on the outlook on life and values. Decoration is always easy to treat, but “deep art†often makes people feel heavy, not suitable for the decoration of commercial or residential rooms, nor suitable for expanding into a public environmental art, of course, can not be generalized. Any piece of work must be placed in a specific space-time system, especially those “deep artâ€, in order to determine whether art and the environment are fusion or conflict. The phenomenological concepts like the artificial environment, the natural environment, and the spirit of the place can provide a stipulation for the relationship between the sculpture art and the environment.
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