Analysis of Contemporary Jade Culture

Bai Yu is easy to ask, a card is rare. The flat and thin shape of the brand determines that the jade itself needs no impurities and cracks. The same piece of jade can be used to avoid the “faults” by the design of the engraving image and the technique of using the knife. It is not feasible for the jade card. In the words of the people in the line, the jade brand is very "injury". It is precisely because the brand has the most demanding requirements for jade materials, so it ranks first in the collection of jade articles.

The special charm of the jade card is often reflected in the perfect combination of exquisite jade and fine carving. The traditional form of the traditional "Zigang Brand" is carved on both sides, while the landscape, flowers, birds, figures, and beasts are honed. The literati's pen and ink are still fascinating; on the other hand, poetry, calligraphy, seals and other arts are engraved, and the art of painting and calligraphy is perfectly combined with a knife and a straight book. This jade carving style, which is both humanistic and auspicious, has far-reaching influence on future generations.

The changes in the aesthetics of the times, the improvement of the quality of jade carving artists and the advancement of the production process have made today's jade brand have reached a fairly high level of art. In history, there is only a square shape of the Zigang brand. Today, there are various shapes such as round, conical, stacked, dripping, and broken. The size is enlarged, reduced, elongated, widened, and thickened. ... Nowadays, outstanding artists are often influenced by professional and systematic art education, and at the same time absorb the concept of various contemporary art from abroad and the rich nutrition of Chinese traditional art. Liu Zhongrong's craftsmanship, Yi Shaoyong's indecent art, the concept of the era of reliance on defensiveness, the inheritance of Su Ran's atmosphere, the changes of Jiang Xi's fine work and the innovative meaning of Yang Lan are outstanding representatives of this era. The tolerance of modern people to the acceptance of Zigang brand, the pursuit of individual values ​​such as visual effects and line beauty, has further improved the creativity, design and crafts of Zigang.

The work of Chinese arts and crafts master Liu Zhongrong is very strong. The smooth lines and rich layers are his true expression of the natural feeling of the jade. "Less and Cat" made a richer level than the average person between the highest and lowest points of the jade card, making the light trend more natural. Bamboo poncho seats, kittens and ladies, there are many turning points, more faces, and more layers, but they are naturally smooth, so amazing, amazing!

Yi Shaoyong, the master of Chinese jade carving, is known as the “first person of the literati card”. His “Tianzhu” jade brand “calligraphy is a must.” The knife is engraved, or stone wood, or landscape; shallow carving, or calligraphy, or seal, the lines are changing, the technique is delicate and exquisite, and it is amazing. His new work "The Same Interest" is a pair of cards, square rounded corners, full tension, flat micro-arc, smooth and gentle in the hands, creating a precedent for couples. The slightly larger "phase" is just strong and straight, and the strange stone is slightly convex. It has the interest of "viewing a stone and knowing the sky". "The gentleman is like a bamboo" is a symbol of elegance and purity; a slightly smaller "fun" It is soft and gentle, and it is a symbol of high purity, elegance and firmness. The two chapters of "Yi Ying" and "Cheng Cheng" have a stable and stable layout, and the Zhu line is full of white; the inscriptions of the calligraphy "Qingquan Yingjue Cui, Baiyun Huo Shishi", "Breeze, Dark Fragrance, Empty Valley Alone" are vivid and vivid, two The cards complement each other and are clear and ethereal. Similarly, the works of "Shenzhou Spring" and "Yu Bone Tongyan" are two highly functional works, which have an unprecedented aesthetic sense on the visual sense, coupled with the composition of Chinese painting, the layout of calligraphy and the use of ingenuity. Excessive aesthetics of overflowing high and clear. In particular, the "three-and-a-half-circle" eye-opening design of "Shenzhou Spring" has another effect. After satisfying its practicality, it pursues the echo of the door shape and the picture. These details are more conducive to the simplicity of the work.

The engraving of the back of the female feminine Ana on the jade card is the first of the Chinese jade carving masters. In the summer of 2007, a friend brought a typical Gobi white jade produced in the Gobi Desert in Hetian, Xinjiang. The outer skin shell showed a strong texture of the Gobi jade. It was a jade material with distinctive features but rather difficult to make. When you look at the jade material, the content of the creative theme is ready to come. As a whole, the stacking of granite is tough, and the corresponding characters, the epitome of modern urban women, should be feminine. He strives for simplicity in composition, compresses space with perspective, and creates space; uses graphic design space, using points, lines, and surface structures. The poetry and the paintings blended with each other to create a delicate and delicate charm and fun. In the past, this piece called "Qian Ying" won the gold medal of the 6th China Jade Carving Award "Tiangong Award". At the same time, his other work "Yunxia Colorful" won the "Tiangong Award" bronze medal. "Spring Rain" is the silver prize of the "Tiangong Award" in 2009. The back of the girl holding the umbrella in the picture is dynamic and unique. The carving is exquisite and elegant, and the lines flow, making the work full of vitality like spring rain.

Su Ran's works are often sensitive to women's uniqueness, and combine the atmosphericity of the northern jade carvings with the delicate and refined nature of the southern jade carvings. "Jiu Si Ming" draws on the shape of the emperor's royal card in the Qing Dynasty. The shape of the card is thick and simple, and the craftsmanship changes finely. The back is decorated with tangled lines, engraving the Confucius. "The gentleman has nine thoughts, sees the thoughts, listens to Sicong, thinks warmly, looks like Christine, speaks loyalty, thinks and respects, asks questions, thinks hard, sees the truth. "It tastes good for a long time." The design of the "Baijia Pattern" and "Maple Love Red Leaves" brand is full, and the rules of the ground are in place. In the pursuit of introverted and balanced aesthetics, the era elements of the royal style are added. Su Ran’s jade card has her special value of play, which is the kind of playability that is thick and thin. The more I play, the more cultural value I have to explore. Similarly, the Su-Jade jade carvings of the great-named Jiang Xi's jade brand have taken a different approach in terms of appearance and content, breaking through the conventions and fully absorbing the elements of Chinese traditional art. The work "Must be Jackie Chan" brand fully demonstrates the aesthetic trend of Jiang Xi's thick ancient blog. Yang Lan, who belongs to Wudi, is tireless in the innovation of jade. His cultural connotation and expression of interest are conveyed through amazing thoughts and crafts. The hollow and plain, contrast and echo, calm and flow of "Buddha in the Heart" are amazing. The author's exploration of the jade brand includes both the respect of the ancient jade culture and the modern aesthetic interest.

From the "Spring Water Jade" and "Akiyama Jade" cards in Liao and Song Dynasties, to the "Zigang Brand" of Lu Zigang in the Ming Dynasty, to the "Zigang Brand" and even the contemporary jade brand since the Qing Dynasty, no matter from crafts, content, artistic conception, we We will find cultural appeals and aesthetics of the times that are unique to each generation. Today, in the same material, the same craft, the same era background, only those artists who dare to be unconventional and dare to say no to the Linyi tradition are valuable. Their jade works with strong personal symbols will surely become timeless. Handed down to the world.

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